Thursday, July 5, 2012
independence two-twelve
Three amazing things that really happened this year:
1. I fell out of a kiddie pool.
2. I drank vodka (with watermelon) out of a pineapple all day long.
3. I cut Art Neville's steak for him. In retrospect, since he still plays, this was strange. But how do you tell a 75 year-old legend no?
Monday, July 2, 2012
bad haircut
An NPR reporter interviews his daughter's after one gives the other the worst haircut ever. It's hilarious, adorable, and the best thing I've listened to lately. Check it out here.
Thursday, June 28, 2012
richard ford
I saw the legendary Richard Ford read in the Garden District tonight, just a few minutes from my house. Readings, well, good ones, come so seldom here I've been looking forward to this one for awhile. It was a gift to leave inflated by the joys of literature and to mull some questions over as I walked past Lafayette Cemetery, the wrought-iron adorned mansions on Washington, and back home to my chair and a glass of sangria.
First, an old favorite about New Orleans from his essay in The New York Times, post Katrina:
"It is - New Orleans - the place where the firm ground ceases and the unsound footing begins. A certain kind of person likes such a place. A certain kind of person wants to go there and never leave."
From the reading tonight, he said the following about writing:
"Writing a novel is like making a mosaic that turns out to be linear. It is not at all the same as just telling a story to someone you know."
Re: Story & Why He Writes: "There is a commotion kicking in the soul. The writer's job is to find a vocabulary for that feeling."
From his latest Canada, "Children know normal better than anyone."
First, an old favorite about New Orleans from his essay in The New York Times, post Katrina:
"It is - New Orleans - the place where the firm ground ceases and the unsound footing begins. A certain kind of person likes such a place. A certain kind of person wants to go there and never leave."
From the reading tonight, he said the following about writing:
"Writing a novel is like making a mosaic that turns out to be linear. It is not at all the same as just telling a story to someone you know."
Re: Story & Why He Writes: "There is a commotion kicking in the soul. The writer's job is to find a vocabulary for that feeling."
From his latest Canada, "Children know normal better than anyone."
a villanelle
The Waking
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
Theodore Roethke
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
Theodore Roethke
Monday, June 25, 2012
Sunday, June 24, 2012
new york, two years later
New York. That sly lover. A city that has been so good to me. Mid-June I trampled in on its treats: garden parties, roof parties, sailing, cloud cover, a walk in the village with a former professor, trains, The Moth, diners, McSorley's light or dark, the many uses for a fire escape, Uniqlo, the Russian and Turkish Bath House, a bagel and park-walking, hotel bar cocktails (like the bramble: crushed ice, muddled blackberries, lavender, and gin), so many friends, and those two a.m. second dinners, for starters...
I hope to be back sooner than I can even imagine. For now, I will be posting quotes and photos from the trip.
Some quotes, as always, follow:
From a story at The Moth, June 12, "New York may not always be a refuge but this city left me with nowhere to run except into myself."
From the Rum House bar menu..."Music is the voice that tells us that the human race is greater than it knows." - Napoleon Bonaparte
Sunday, June 10, 2012
new camera
After a drought of zero photography of interest (pics shot on something other than an I-Phone) on this blog, I'm back thanks to the purchase of a decent camera, an Olympus Pen 2. It's a point and shoot so a bit more work in the manual setting than any of the SLR's out there but it's lighter, cheaper, and beautifully designed. This was just my first walk with her and I have a lot to learn but heres to new beginnings and me shooting again. At last.
Friday, June 8, 2012
SoLost: Tiny Town! :: Oxford American - The Southern Magazine of Good Writing
SoLost: Tiny Town! :: Oxford American - The Southern Magazine of Good Writing
Watch the above video about a man who spent 75 years creating a town in miniature. Magic.
Watch the above video about a man who spent 75 years creating a town in miniature. Magic.
Wednesday, May 30, 2012
train dreams
A few posts down I mentioned that the
Pulitzer did not award a fiction winner this year. One of the worthy
candidates, Denis Johnson, penned Train Dreams, a novella I've been meaning to
praise. It is a stream of perfect sentences. This is an evocative but quiet
tale of Robert Granier, a day laborer in the early 20th century American West.
In 116 pages, I believed every creek, bit of floral and fauna, the plight of
loggers and bridge builders, and wayward animals or wolf men and women were all
part of a world I knew. I've read it twice in two weeks. The tricky thing
about this novella being packed with perfect sentences is that it's impossible
to pull favorite passages. I would want to type up the whole thing. Without the
context of an entire chapter how could you know that, "The dog no longer
trembled," as a closing sentence shook me. Instead, here is a glowing review in The New York Times
that shares my sentiments.
Tuesday, May 22, 2012
quoteworthy
“After a while I
murmured to Picasso that I liked his portrait of Gertrude Stein. Yes, he said,
everybody says that she does not look like it but that does not make any
difference, she will, he said.”
― Regarding Gertrude Stein,
The Autobiography
of Alice B. Toklas
I got this gem
from E. L. Doctorow's lecture "Don't Call It
Historical" in which he argues the definition of a novel and that it
diminishes one to be defined as historical.
Friday, May 18, 2012
Friday, May 4, 2012
abandoned six flags
In 2005, the park was closed in preparation for Hurricane Katrina. It never reopened after. Read more about it here and check out more of the photos I pulled these shots from here. Or, come visit and we can jump the gates. While I find great beauty in ruin, I'd rather be able to ride the Zydeco coaster or start drinking cokes again so I could save the can-coupons for weekend thrills.
Wednesday, May 2, 2012
brothers
Here's a snap of my two brothers playing pool last week in the shop of our family's shutter business. I wish I could have been there. Nothing like losing to the boys, drinking beer in May, and the smell of lumber.
philip levine
I found the poems of Philip Levine in an introductory poetry class in college. The first that follows, Belle Isle-1949, hit all of my soft spots. Suddenly the Detroit River could have been the Alabama River and this gets to the core of what writing can do but particularly poetry. It can conjure beauty out of a strange adventure, the things that scare us, and simply trying to have a good time in one of America's forgotten cities. The second poem, Our Valley, is in a beautiful collection I just picked up called, News of the World. You'll see from both of the poems below that Levine is a poet concerned with atmosphere, the senses, and desiring the natural world but not being able to contain it.
"Belle Isle, 1949"
We stripped in the first warm spring nightand ran down into the Detroit River
to baptize ourselves in the brine
of car parts, dead fish, stolen bicycles, melted snow.
I remember going under hand in hand
with a Polish high school girl
I'd never seen before, and the cries
our breath made caught at the same time
on the cold, and rising through the layers
of darkness into the final moonless atmosphere
that was this world, the girl breaking
the surface after me and swimming out on the starless waters
towards the lights
of Jefferson Ave. and the stacks
of the old stove factory unwinking
Turning at last to see no island at all
but a perfect calm dark as far
as there was sight, and then a light
and another riding low out ahead
to bring us home, ore boats maybe, or smokers
walking alone. Back panting
to the grey coarse beach we didn't dare
fall on, the damp pile of clothes,
and dressing side by side in silence
to go back where we came from.
"Our Valley"
We don't see the ocean, not ever, but in July and August
when the worst heat seems to rise from the hard clay
of this valley, you could be walking through a fig orchard
when suddenly the wind cools and for a moment
you get a whiff of salt, and in that moment you can almost
believe something is waiting beyond the Pacheco Pass,
something massive, irrational, and so powerful even
the mountains that rise east of here have no word for it.
You probably think I'm nuts saying the mountains
have no word for ocean, but if you live here
you begin to believe they know everything.
They maintain that huge silence we think of as divine,
a silence that grows in autumn when snow falls
slowly between the pines and the wind dies
to less than a whisper and you can barely catch
your breath because you're thrilled and terrified.
You have to remember this isn't your land.
It belongs to no one, like the sea you once lived beside
and thought was yours. Remember the small boats
that bobbed out as the waves rode in, and the men
who carved a living from it only to find themselves
carved down to nothing. Now you say this is home,
so go ahead, worship the mountains as they dissolve in dust,
wait on the wind, catch a scent of salt, call it our life.
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